Born in Melbourne, Australia in 1967, Lisa Roet graduated with a Bachelor of Fine Arts at the Royal Melbourne Institute of Technology in 1987. Lisa currently lives and works in Melbourne. Over the past ten years, she has also supplemented her studies with residencies at ape research centres and major international zoos in Berlin and Atlanta, as well as field observation of apes in the forests of Borneo, Malaysia.

Since her first show at Querhause Gallery, Berlin in 1992, Lisa has held more than twenty-five solo exhibitions around the world. Particularly acclaimed are Aping, Karen Woodbury Gallery, Melbourne and The Depot Gallery, Sydney (2008); Simian Line, Karen Woodbury Gallery, Melbourne (2006); Lisa Roet: Finger of Suspicion, McClelland Gallery and Sculpture Park, Melbourne (2004); Pri-Mates, Lawrence Wilson Gallery, University of Western Australia, Perth (2004); Pri-Mates Drawing, Melbourne Museum, Melbourne (2003); The Shadow, National Gallery of Kuala Lumpur, Malaysia (2001); Pri-Mates: Hands, LIebmanMagnan Gallery, New York (2000-2001); and Sebrechts-Park, Brugge Kunst Halle, Brussels.

Her various awards and achievements include the prestigious McClelland Sculpture Survey & Award (2005); The Kedumba Drawing Award (2005); the National Works on Paper Award (2003); and the National Sculpture Prize (2003). She has also been the recipient of several important grants, including an Asia Link Residency at the National Gallery of Kuala Lumpur, Malaysia (2000).

General credit: Karen Woodbury Gallery, Melbourne.